| Literatur |
• Ariella Aïsha Azoulay “Towards an Abolition of Photography’s Imperial Rights” In: Capitalism and the Camera. Essays on Photography and Extraction. Ed. Kevin Coleman and Daniel James. VERSO London, New York, 2021. p.36-57.
• Blair, Candy Otsíkh:èta and Antje Budde “Accountability. Intervention. Community. - On the making of a two-spirit music video for Toronto Pride Summer 2021” Special Issue “Ethics & Socially Engaged Theatre” Canadian Theatre Review. Issue #192. Fall 2022. 14-21. https://ctr.utpjournals.press/doi/abs/10.3138/ctr.192.004
• Budde, Antje.
o “A/I in Projects of the Digital Dramaturgy Lab squared(DDL2) “Virtual Ecologies. Digitalitäten und Ökologien im Tanz” (Virtual Ecologies. – Digitalities and Ecologies in Dance) Ed. Yvonne Hardt, Marisa Joana Berg, Anna Chwialkowska, Ulrike Nestler. Jahrbuch Tanzforschung 23, Transcript Verlag Bielefeld 2024. 143-164.
o "Affecting the Apparatus: Queer Feminist Re/Decodings in the Digital Dramaturgy Lab, Toronto." In: Diamond E., Varney D., Amich C. (eds) Performance, Feminism and Affect in Neoliberal Times. Contemporary Performance InterActions. Palgrave Macmillan, London. 2017 https://doi.org/10.1057/978-1-137-59810-3_15
o “Making. Critical Pleasure. A/I” Lasalle College for the Arts, Singapore. Jan.31, 2022 (90 min.) Jan.31, 2022. https://vimeo.com/669275251
o “Cutting Edge(s) – Struggling matter(s).”DRHA conference (Digital Research in the Humanities and the Arts) Sept.5, 2021. Berlin. Germany. (18 min.) https://vimeo.com/598237282 |
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